On the way home from Yosemite last Fall we stopped at a really affecting place, the ghost town of Bodie, California. Bodie was a gold mining town that was actively inhabited into the 1960's. Now, the State of California maintains it as a state park in a form of "arrested deterioration," allowing the town to dissolve and maintaining it at the same time. We only had about an hour to shoot there, but it was a very interesting site- ghosts abound!
The soundtrack for this collection is "If No One Marries Me" by Natalie Merchant from her album Leave Your Sleep. I have no commercial rights to the song and use it under the "fair use" rules...
I recently had the great pleasure of spending a week or so in Yosemite attending a workshop at the Ansel Adams Gallery taught by Alan Ross. Alan, an awesome photographer in his own right, was Ansel Adams' full time assistant for five years and has hand printed the "Special Edition Yosemite Prints" of Ansel's photos for over forty years (these are printed from Ansel's original negatives and are stunning - see the link: Ansel Adams Gallery - Special Edition Yosemite Prints.)
This was my first time in Yosemite, and it surely will not be the last. Somewhat disappointing was the amount of smoke in the air from both a sizeable fire in the park itself as well as drifted smoke from the massive Santa Rosa fire. On the other hand, this pointed us to smaller details which are beautiful, if not of the scale of the "Grand Landscape" (though we did our best to sneak in a couple of those as well!)
At a time when our National Parks and Public lands in general are under assault by those charged with protecting them, it was great to see so many people enjoying this unique place. While crowded, if one is willing to walk as little as a mile, the solitude is great and the scenery sublime. John Muir was right that this place is sacred...
The music for this slideshow is "Crystal Silence" from the album No Regrets by Randy Armstrong. As always, I claim no rights to the music and use it under Fair Use guidelines - if you like it, you can purchase it here from Randy's website (randy armstrong) or on itunes.
This collection comes from three weeks we recently spent in Rome and southern Italy, in the Puglia region. While the world clearly doesn't "need" more images of Rome, it's such a visual place, it's really impossible to resist. And Puglia, less traveled, rural and ancient, is one of the last relatively untrammeled areas in Europe. It is my hope that these images at least touch the feel of these people and this timeless, worn and beautiful land.
The music I've chosen for this Collection is "Wishful Thinking" from the Album Chiaroscuro by Ralph Towner and noted Italian jazz trumpeter Paulo Fresu. (I claim no rights to this music, and use it here under "fair use"...)
This collection is a selection of images of people and their places taken on various travels in recent years. I've been fortunate to see some amazing parts of this troubled world of ours, and it's the faces of the people that linger, that form the essential sense of place. These are some of my favorites.
This collection is best viewed, I think, in full screen (there's a button in upper right after the slideshow button has been pushed) I've also added a piece of music that I admire, "On the Nature of Daylight" by Max Richter from his album The Blue Notebooks. There is a sound button in the lower right corner of the slideshow (I claim no rights to the music and use it here under "fair use"...)
March 30, 2016
So, it's taken me about six weeks to get some images up from a recent trip to Morocco. This was a complicated trip and, interestingly, this continued into the process of viewing and editing images. We spent about a week in country; the visit began with a creepy, somewhat threatening interaction as we arrived into the medinah in Marrakech at 3 am, and probably never got back onto an even plane after that. This was also my first trip to a muslim country, and encountering the oppressive side of that faith, the patriarchial energy, was different (our guide, Achmed, in explaining the differences in the veiling of the women around Marrakech, points to a woman at a bus stop who's hair is uncovered, and barks in emphatic tones, "that, that is forbidden!!)
Anyway, I'm always interested in how my attitude affects my images. If I feel immediately drawn to a scene, I tend to make better images, "fresher" as my miksang buddies would say (http://miksang.org/m/index.html) If, on the other hand, I feel like I'm outside of the space or place, the images can seem forced.
As I said, we were in country only for a week, not a lot to cover the geography of a place as diverse as Morocco. From the ancient quarters of the medinahs in Marrakech and Fes (each quite different from the other), to the bright whites and blues of the ocean-side Essaouira, to the Atlas mountains to the emptiness of the black desert and the boundary dunes of the Sahara (in rain of all things, and a "minor" sandstorm.) Most of the locals don't care to have their photos taken (excluding those who see it as a career opportunity, like the snake charmers, etc.) This was more true in Marrakech than elsewhere, and as a consequence, my images of Fes are more "populated" than the Marrakech pics.
On balance, a trip I'm glad we made. Not all adventures "feel good", not all important trips are "fun." I couldn't shake the feeling that "Morocco" is a very layered place and that seeing anything close to the true country beneath the veneer is nearly impossible (as it is, I suppose, in any place with a distinctive and somewhat "alien" culture as witnessed from my western perspective...)
A short note on gear. I carried two cameras on this trip. Most of the images were made using the first generation mirrorless system, the Fuji E-X1. This allowed me to carry multiple lenses in an easier format than a full bodied DSLR. This was really very handy in doing candid street photography as I was able to "shoot from the hip" without garnering undue attention (see "Angry Man" in the gallery.) I love the image quality of this camera, though I find there's a lot of white balance shift in each image (I shoot raw, generally aperture priority.) By this I mean that the whites are underrepresented in the raw file and need a consistent adjustment frame to frame. I hate the autofocus of this camera though -- it doesn't permit single point focusing and, as a result, there's a loss of a certain number of photos each time to missed focus points (I want the face, the camera selects the flower...) I'm told by the local camera shop guys that is being fixed in the next generation of the X-series, so we'll see.
I also carried a Canon G16. I bought this camera as a replacement for a G12 that I used and loved until the software glitches accumulated and made it unusable. Unfortunately, the G16 is a worse camera than it's ancient predecessor. It's still very slow to fire (slow shutter) a problem reputedly fixed in this camera. Of greater concern, I find at any ISO above about 400 or maybe 800, the files are really grainy. In an era of super fast point and shoots (see the latest Sony point and shoots and the mirrorless A7), this is really unacceptable. This is the first camera I've owned that I really wish I hadn't bought. Poor job Canon....